Lincoln Review: Rachel Boyle

In this five-part series, Lakefront Historian contributors respond to the critically acclaimed blockbuster Lincoln, directed by Steven Spielberg and starring Daniel Day Lewis.

Spielberg’s Lincoln

The opening shots were so promising.  A pan of Civil War carnage preceded any mention of Abraham Lincoln.  African American soldiers stood before The Great Emancipator and called him to task on the problem of wage inequality.  Then Lincoln subdued them with a charming anecdote, thus setting the tone of the rest of the film.  In the subsequent two and half hours, a thoroughly endearing Abe ambled through a world of rhetorical and ethical dilemmas, mesmerizing everyone with his storytelling and lawyering skills.  Indeed, Spielberg’s Lincoln succeeded as a comedic drama of white politicians debating slavery while effectively silencing other nineteenth century voices.

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Public History Students featured on NCPH Blog

Two Lakefront Historian contributors and public history students at Loyola University Chicago are featured this week on History@Work, the blog from the National Council on Public History (NCPH).  Annie Cullen and Rachel Boyle discuss how the overwhelming success of Public History Ryan Gosling reveals the strengths and weaknesses of popular culture as a tool for public historians.  The post will give you a preview of the panel presentation Cullen and Boyle will be giving at the annual NCPH conference this April in Ottawa, Canada.  Hope to see you there!

“I Don’t Know What I Stand For Anymore”: Fun., Postmodern Angst, and Civil War Memory

The casual radio listener cannot avoid the chart topping hit “Some Nights” by the band Fun.  As with their other recent hit, “We Are Young,” Fun. produces upbeat tempos and soaring harmonies that belie darker lyrics about the emptiness and purposelessness of life.  By applying the postmodern undertones of “Some Nights” to a music video dominated by Civil War imagery, Fun. meaningfully reflects and contributes to popular memory of the Civil War.

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Re-envisioning Historic Fort Snelling: Confessions of a Fort Employee

I wake up most mornings thrilled to go to work. I relish the rare opportunity to engage in positive dialogue with the public about critical themes in Minnesota and United States history. On a daily basis I participate in open conversations about class, slavery, and American Indian history. I feel continually supported by a remarkably amicable staff and refreshingly thoughtful and efficient supervisors. Considering the many museums and historic sites still reveling in nostalgia and Great Man history, I truly value the opportunity to practice public history at Historic Fort Snelling. Not to mention my sheer enjoyment of hearth cooking or playing nineteenth century games with children.

All the fantastic aspects of employment at Historic Fort Snelling tend to overshadow the occasional discomforts: the offhanded racist comment of a guest; the low traffic in Dred Scott Space or Indian Agency compared to the overwhelming popularity of the infantry and artillery drills; enthusiastic youth marching and shooting imaginary guns. Perhaps these are just the unfortunate realities of interacting with the public.

A recent experience, however, put my discomforts into sharp relief. While stationed in the Indian Agency I observed a visitor who appeared to me to be American Indian. As he exited the space he turned to his companion and stated matter-of-factly, “there is a lot of evil in this room.” Continue reading

The Rachels Review “Abraham Lincoln: Vampire Hunter” (Part II – Rachel Boyle)

Rachel Lewis and Rachel Boyle share the same first name and many courses at Loyola University Chicago.  Rarely do they share the same perspective on historical topics.  In this installment, the Rachels provide two distinct reviews of Abraham Lincoln: Vampire Hunter as a work of cinematic public history.

“History prefers legends to men” – Abraham Lincoln: Vampire Hunter

In the interest of full disclosure, I should confess that I have very limited knowledge of vampire mythology.  I am still unclear about how to kill a vampire.  Do you shoot them in the heart with a silver bullet? Cut off their head? Nervously bite your lip until they succumb to your wiles?  Judging from the way Abraham Lincoln: Vampire Hunter treats the historical record, I suspect the film plays fast and loose with the rules of vampire hunting as well.  Therefore, I will not be evaluating Abraham Lincoln in terms of adherence to the rules of vampirology or historical accuracy.  I am most interested in dissecting the internal logic of this film and the implications for the public’s memory of Abraham Lincoln and nineteenth century United States history.

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Around the Web (May 2012)

Periodically, a Lakefront Historian contributor surveys recent public history-related news that emerges on the Internet. In this installment of “Around the Web,” Rachel Boyle highlights new columns, blogs, and posts that exemplify public history online.  She also anticipates the opening of Abraham Lincoln: Vampire Hunter. Follow The Lakefront Historian on Twitter (@LakefrontHist) for news updates as they happen.

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