Changes to U.S. Copyright Office Could Impact Public Historians

On April 26, the U.S. House of Representatives voted to transform the Register of Copyrights from a position responsible to the Librarian of Congress to a political appointment chosen by the President and confirmed by the Senate. If passed by the Senate, this legislation could impact public historians and others who rely on the Library of Congress to represent the interests of educators, scholars, librarians, and archivists when administering copyright law.

The James Madison Memorial Building of the Library of Congress houses the U.S. Copyright Office. 2011 U.S. Government photo by the Architect of the Capitol.

The “Register of Copyrights Selection and Accountability Act of 2017,” or H.R. 1695, passed the House with bipartisan support on a vote of 378 to 48. Proponents claim that the legislation will help modernize the Copyright Office, which has been overseen by the Library of Congress since 1870. The text of the bill, however, does nothing to update the Copyright Office’s systems or procedures — it simply gives the President rather than the Librarian of Congress power to appoint the Register of Copyrights. Critics of this change, including the American Library Association (ALA), the Society for American Archivists (SAA), and the Electronic Frontier Foundation (EFF), argue that it would further politicize the copyright office and elevate the influence of entertainment industry lobbyists over other copyright system stakeholders.

The U.S. Constitution authorized Congress to grant copyrights “To promote the Progress of Science and useful Arts.” Courts have interpreted this clause to mean that copyright law must balance the rights of authors and creators with the public’s fair use of copyrighted works to advance art and science through research, education, and other fields. Locating the Copyright Office within the Library of Congress, a research institution, helps keep the administration of copyright law accountable to its constitutional mission.

Historians, archivists, librarians, and others rely on the Register of Copyrights to maintain the official historical record of copyrighted materials, as well as tools like the Fair Use Index that compile legal decisions on the use of copyrighted works for education and research. The Register of Copyrights is also responsible for recommending exemptions to the Digital Millennium Copyright Act’s prohibition against circumventing copyright protection systems. Under current law, the Register must consider the “use of works for nonprofit archival, preservation, and educational purposes” among other factors in granting exemptions — a consideration  that may determine whether historians in future years can access electronic sources published with software based copy-protection or D.R.M.

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Politics and Public History in Europe’s WWI Centenary

Plastic red poppies with a photograph of a soldier.
Remembrance Day Poppies. Photo © 2007 Benoit Aubry. Creative Commons BY 3.0 License.

The year 2014 will mark the hundredth anniversary of the outbreak of World War I. With some European governments planning major commemorations, the centennial is full of opportunity for public historians — but how should we remember a devastating war of nationalist passions in today’s supposedly “transnational” age? While the animosities of World War I may seem a world away from today’s European Union, the anniversary has exposed continued divisions over how to publicly remember the “Great War” a century later, revealing the close ties between historical memory and contemporary politics.

While each country in Europe has a different plan to mark the centenary of World War I, perhaps the starkest division is between Germany and the UK. While Germany plans to quietly participate in a few international commemorations, Britain is preparing for a nationwide series of patriotic events and exhibits. These differences reflect not only the different results of the war for each country, but also their divergent contemporary views on European policy.

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