In Titus Andronicus’s 2010 sophomore release, The Monitor, singer and lyricist Patrick Stickles takes a particularly ambitious tack in crafting a fully-realized concept album centered on a historical metaphor. As the first part of what will hopefully be a short series of posts, I’ll look at the album and consider its utilization of history for dramatic and thematic importance.
Unsurprisingly, a group named after a Shakespeare play tends to be rather lyrically dense. As such, the opening song of the album, “A More Perfect Union,” is laced with references both contemporary and historical. The first verse references Simon and Garfunkel’s “America,” twists lyrics from Billy Bragg, and finishes by inverting Bruce Springsteen: “Tramps like us, baby we were born to die.” A later biblical allusion places the singer as a Christ-figure: “If I come in on a donkey, let me go out on a gurney.” Yet the most consistent thread begins in this song with the heavy usage of lyrics from the “Battle Cry of Freedom” and continues throughout the rest of the album: the metaphor of the Civil War.