Some Initial Thoughts on SELMA

I was lucky enough to catch a pre-wide release showing of Selma earlier this week, when colleague Anthony Di Lorenzo and I braved Arctic weather to trudge to the multiplex. Overall, with a few caveats, I found the movie an effective piece of history that should have a positive impact on the public memory of the Black Freedom Struggle. I have quite a few thoughts about the film—many half-formed—but here I’ll just stick to a few of the themes that struck me most:

  • The LBJ Depiction: fast and loose with many historical ‘facts,’ but the ends justify the means.
  • Keeping the Black in the Black Freedom Struggle: the ‘white savior’ theme is unavoidable—but challenged; the historians’ age-old dilemma between power and agency is here—but maybe only by accident.
  • Intra-movement Tensions: Valiant focus made possible by the above point, but SNCC is an unfortunate and ill-formed prop; consensus carries the day.
  • A Cast of Thousands vs. the Biopic: ‘Whoa it’s awesome that you have James Orange and Bayard Rustin in there.’/’Why aren’t you telling me more about Orange and Rustin?!’
Martin Luther King Jr. (David Oyelowo) and Coretta Scott King (Carmen Ejogo) marching from Selma to Montgomery in the movie Selma. (Paramount)
Martin Luther King Jr. (David Oyelowo) and Coretta Scott King (Carmen Ejogo) marching from Selma to Montgomery in the movie Selma. (Paramount)

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