Around the Web (July 2012)

Periodically, a Lakefront Historian contributor surveys recent public history-related news that emerges on the Internet. In this installment of “Around the Web,” Anne E. Cullen highlights new digital collections and blogs, museum reviews, and pop culture happenings that exemplify public history online.  Follow The Lakefront Historian on Twitter (@LakefrontHist) for news updates as they happen.

LFH BlogImage source

  • Since we’re all about mythical figures re-examined through the lens of feature films here on the Lakefront Historian (read our recent roundtable reviews of Abraham Lincoln: Vampire Hunter), we couldn’t help but notice another historical heavy-weight recently memorialized at the box office: Marie Antoinette. Farewell, My Queen, based on the award-winning novel Les Adieux à la Reine by Chantal Thomas,  hit theaters this July 13th. Watch the trailer here.
  • Threadbared’s review of the Tattered and Torn: On the Road to Deaccession exhibit on NYC’s Governor’s Island explores historical value, material culture, and costume collections.
  • Speaking of fashion and public history, in July the Chicago History Museum debuted an online digital collection showcasing their costume collection.  With over 50,000 pieces from the mid-18th century to the present, CHM’s collection is the second most expansive fashion collection after that of the Metropolitan Museum of Art.
  • Another new online collection? Don’t forget to check out the Grateful Dead Archive Online which includes over 45,000 digitized items from the library at the University of California at Santa Cruz.
  • The Chicago History Museum commemorated the 1919 Chicago Race Riot with a blog post built around Jun Fujita’s photographs of the tragic violence.
  • Loyola Chicago’s own Women and Leadership Archives recently launched a new tumblr. The blog features fun and interesting photographs from WLA’s collections and also highlights other online content related to women and history.  Check out the tumblr here.
  • The National Archives is recognizing the 22nd anniversary of the signing of the Americans with Disabilities Act (ADA) with a web research page highlighting Presidential records related to people with disabilities throughout US history.
  • And in honor of the 2012 Summer Olympics in London, be sure to watch this amusing video that uncovers the secret history of the City of London.

Balancing Preservation and Interpretation at Canyons of the Ancients National Monument

A  tension persists between two main enterprises comprising cultural resource management: preservation and interpretation. The objectives and effects of each undertaking are not easily negotiated in many contexts, making the task all the more difficult for cultural resource managers. Many question the utility and purpose of preservation if its ultimate objective is not to interpret the resource to the public. With public interpretation comes increased traffic, however, which can impact the resource negatively. Such degradation can, in turn, reduce the prospects for effective interpretation or necessitate a complete revision of the interpretive program. The best way to preserve a resource is to keep people away from it; the best interpretation draws people from far afield. Continue reading “Balancing Preservation and Interpretation at Canyons of the Ancients National Monument”

Living Donors and the Oral Historian

When Kristin wrote recently about the troubles of working with living donors, I could not help but relate her woes to my own summertime job experience.  This summer I have worked as the Oral History Intern at the Lower East Side Tenement Museum in New York City where I have had the privilege of engaging a whole other type of living donor: the oral history interviewee.

In October, the Tenement Museum will debut a new exhibit entitled Shop Life. This basement exhibit explores the history of business culture at the landmarked 97 Orchard Street tenement.  One of my goals is to strengthen the Museum’s oral history collection with information about other neighborhood shops and storefronts, past and present. These interviews might someday serve as the foundations for a Shop Life neighborhood walking tour to accompany the new tenement exhibit.

LES TLH PostLower East Side tenements

To collect oral histories, I rely on the theory and methodology taught in our graduate course Oral History at Loyola University Chicago.  We delved into the intricacies of interview technique, transcription methodology, and the ethical implications of exploiting interview sources for our own academic and professional gains.  Now that I am in the field doing this work for myself, I realize one topic, preceding all the rest, remained largely unaddressed: How do you even get someone to sit down with you for an interview?

Continue reading “Living Donors and the Oral Historian”

“Report to the Public: An Untold Story of the Conservative Vice Lords” [Exhibit Review]

Postcard for the exhibit opening, depicting Conservative Vice Lords, an alderman, and the Illinois State’s Attorney in front of a CVL social club, 1969. (Hull-House)

The horrific killing of 7-year old Heaven Sutton dominated the June 27 Chicago news, an inauspicious backdrop for my visit that day to a museum exhibit about the Conservative Vice Lords (CVL)—a West Side Chicago gang that went ‘legitimate’ in the 1960s. Today’s  crime statistics demand that only shootings involving extraordinary circumstances warrant significant attention from the mainstream media. In the Heaven Sutton case, these heart-wrenching details include the victim’s young age and that she was a victim of cross-fire while selling candy with her family—just after having her hair styled in anticipation of an upcoming trip to Disney World. There have been over 200 Chicago homicides thus far this year. During the 2011-2012 school year, 24 Chicago Public School children were killed, and an additional 319 were wounded by gunfire. Whether media coverage of shootings consists of short blurbs in the metro section or a Pulitzer-worthy serial expose, one theme remains: the vast majority of shootings are flatly depicted as “gang-related.” This persistent motif trains us to understand loose associations of urban youth (“gangs”) as the inevitable cause of violence and disruption, a convenient—even if unthinking—way to avoid many of the structural social and economic foundations of inner-city violence.

Continual “gang violence” also makes it difficult to remember a time when some street gangs shifted from illicit activities and violence to community service and legitimate political activity. History shows that gangs often embodied complex notions of resistance, consciousness-building, empowerment, and community. At times, dominant political and economic forces have even enlisted gangs in collaborative social welfare efforts. Certainly the actions of Heaven Sutton’s killers fall far from such aspects of  gangs. And it could be argued that the positive potential of street gangs happened in a historical moment, long since occluded by the national cocaine and heroin epidemic and the precipitous decline of Federal and municipal funding for urban social programs. Regardless, “Report to the Public: An Untold Story of the Conservative Vice Lords,” an offsite exhibit curated by the Jane Addams Hull-House Museum, looks back to the 1960s when the urban crisis called for innovative partnerships between legitimate institutions and some of the gangs once assumed to be among the root causes of that very crisis. This timely exhibit questions the absolute ties between street gangs and destructive violence, suggesting that groups of frustrated young people are not destined to wreak the community havoc so prevalent on the evening news. Continue reading ““Report to the Public: An Untold Story of the Conservative Vice Lords” [Exhibit Review]”

Living Donors and the Maintenance of Legacy

It’s 95 degrees and about 75% relative humidity. I’m hunched over a box of documents in the un-air-conditioned attic of a former US Senator who now lives in Chicago. As I flip through hundreds of file folders, I remove all financial records and anything that says “FEC.” To the left, my boss stands and hands folders one-by-one to the Senator, who reviews every document-be it a lawsuit or a Christmas card- and tells a brief story before approving it for donation or discarding it. 30-odd large boxes surround us, brimming with files and papers yet to be sorted. After 4 stuffy hours, we’ve made it through 1/10 of the material. Does anyone have a bucket of ice water I can borrow?

After some rehydration and reflection on this archival materials pick-up I recently accompanied my boss on, I realized how the experience can be used to examine some of the benefits, pitfalls, and other issues archival professionals face when dealing with living donors.

Living donors can be an amazing resource for archivists- and indirectly for historians. Donors can answer questions and provide context for their collections through storytelling or other verbal and written communication. Interaction with donors also gives the archivist an idea of the donor’s personality, which could lead to insights when arranging and describing a collection. Such knowledge can also be shared with users to provide deeper context for their research.

Of course, the politics of working with a living donor can be difficult too. Some donors make demands for control of the arrangement and description of their collections. Some donors ask for materials back after they have been legally signed over to a repository through a deed of gift. Headaches, to be sure.  But to me, the most interesting aspect of a living donor is the desire that often manifests for one to edit-or in some cases censor- one’s own legacy. We all want to look good in the history books, right? When donors are alive, they can decide what not to include in their own record. And in the name of shared authority, this is unquestionable. But it makes for an incomplete historical record.

It also raises questions about who has the right to dictate a legacy. Should an individual alone decide how he or she is remembered? Does that right fall to those who were most affected or closest to the individual? What about outsiders or third-parties (including but not limited to Public Historians) who can come in with a supposedly unbiased approach? Of course in the case of archives, it is less about memory and more about creating and preserving a complete and accurate historical record. A gap in context created by the omission of one document could shape historical interpretation for centuries.

Of course, legacy maintenance is nothing new. Court historians have flattered their monarchs to keep their jobs (and sometimes their heads). Corporate lackeys have shredded papers to escape prosecution but also to erase histories of corruption in their companies. Because all primary resources are biased in some way, archival professionals must recognize the importance of working with living donors to document recent history and to ensure the most robust historical record possible.

Re-envisioning Historic Fort Snelling: Confessions of a Fort Employee

I wake up most mornings thrilled to go to work. I relish the rare opportunity to engage in positive dialogue with the public about critical themes in Minnesota and United States history. On a daily basis I participate in open conversations about class, slavery, and American Indian history. I feel continually supported by a remarkably amicable staff and refreshingly thoughtful and efficient supervisors. Considering the many museums and historic sites still reveling in nostalgia and Great Man history, I truly value the opportunity to practice public history at Historic Fort Snelling. Not to mention my sheer enjoyment of hearth cooking or playing nineteenth century games with children.

All the fantastic aspects of employment at Historic Fort Snelling tend to overshadow the occasional discomforts: the offhanded racist comment of a guest; the low traffic in Dred Scott Space or Indian Agency compared to the overwhelming popularity of the infantry and artillery drills; enthusiastic youth marching and shooting imaginary guns. Perhaps these are just the unfortunate realities of interacting with the public.

A recent experience, however, put my discomforts into sharp relief. While stationed in the Indian Agency I observed a visitor who appeared to me to be American Indian. As he exited the space he turned to his companion and stated matter-of-factly, “there is a lot of evil in this room.” Continue reading “Re-envisioning Historic Fort Snelling: Confessions of a Fort Employee”

“Slave for a Day” and the Tensions in Historiography (Part II: Peter Kotowski)

“[It] is often forgotten that the concept of social death is a distillation from Patterson’s breathtaking survey – a theoretical abstraction that is meant not to describe the lived experiences of the enslaved so much as to reduce them to a least common denominator that could reveal the essence of slavery in an ideal-type slave, short of meaningful heritage.  As a concept, it is what Frederick Cooper has called an ‘agentless abstraction’ that provides a neat cultural logic but ultimately does little to illuminate the social and political experiences of enslavement and the struggles that produce historic transformations.”

Vincent Brown, “Social Death and Political Life in the Study of Slavery”

I must preface this piece by admitting that I have no formal training in public history.  As such, I cannot offer the same type of illuminating critique that my colleague, Will Ippen, has provided in the companion piece to mine.  What I can do, however, is frame the debate over the Hampton National Historic Site’s “Slave for a Day” event within the context of the extant historiography on North American slavery.

In his excellent essay on the legacy of Orlando Patterson’s Slavery and Social Death, historian Vincent Brown articulates a tension between scholarship emphasizing the dehumanizing aspects of antebellum slavery and the overwhelming power of the institution and those works that focus on the collective agency of the enslaved population and the ways in which they resisted enslavement.  In my opinion, the outcry over the “Slave for a Day” event reflects a tendency among many  to adopt the interpretation of slavery stressing the power of the institution to oppress enslaved people.

Continue reading ““Slave for a Day” and the Tensions in Historiography (Part II: Peter Kotowski)”

“Slave for a Day”: Perspectives on Interpreting Slavery (Part I: William Ippen)

There has been no paucity of reactions to Hampton National Historic Site’s “Slave for a Day” event, which took place this past Sunday under the new name “Walk a Mile, a Minute in the Footsteps of the Enslaved on the Hampton Plantation.” While the event and its underlying theme enjoyed a significant degree of support, outrage at the event, as well as its title and promotional literature, prompted the National Park Service to change its title and omit exclamation points from the announcement. Criticism of the event–all of it coming before it was actually held–has taken two forms: a distasteful title and the interpretive method’s inability to truly convey the lived experience of the enslaved. The former criticism, which NPS staff promptly addressed, is both superficial and moot at this point. The latter critique, however, calls into question the interpretive program’s very validity and is severely misplaced. Continue reading ““Slave for a Day”: Perspectives on Interpreting Slavery (Part I: William Ippen)”